Raiza Antunes
Raiza Antunes is an art director with over two decades of experience in the audiovisual industry. She has led the art direction for feature films such as Tudo Por Um Pop Star 2, Mallandro – O Errado Que Deu Certo, and Dois Mais Dois, as well as for award-winning shorts and series. She is a member of the BRADA collective. At Névoa Filmes, Raiza weaves each detail with precision and sensitivity, turning ideas into images. Now, as a producer, she works on building worlds where art is the bridge between dreams and realization.
My story
I am Raiza Antunes, an art director and producer with over 20 years of experience in the audiovisual industry. With a background in Fashion and Design, I found in art direction my way of telling stories through texture, color, and symbolism. I am a member of BRADA – a collective of Women Art Directors in Brazilian Audiovisual.
In fiction, I have led the art direction for feature films such as Tudo Por Um Pop Star 2, Mallandro – O Errado Que Deu Certo, Dois Mais Dois, SaraLiaeLéia, Fluxo, Nina, Compro Likes, The Fates, Os Senhores da Guerra, and A Casa Elétrica. In television, highlights include O Manual Para Se Defender de Aliens, Ninjas e Zumbis, O Boneco de Barro e o Rei, and The Love Side. Among my short films, I was honored with awards for Dia dos Namorados (Lajeado Film Festival) and Naldo e as Batatas Sorriso (Santa Rosa Festival), in addition to other projects like O Boneco de Neve and Cedo.
In set design, I worked on Não Se Aceitam Devoluções and coordinated scenography for Rock in Rio 2011. I also contributed to the art departments of films such as O Tempo e o Vento, O Carteiro, Enquanto a Noite Não Chega, and several short films. As a costume designer, a notable highlight is Porto dos Mortos—winner of Best Costume Design at Zed Fest (North Hollywood, California)—and the series 4 Destinos.
At Névoa Filmes, I bring a keen artistic eye and strong production expertise. I engage from the birth of an idea to its realization on screen, with sensitivity and precision. I believe every detail is a narrative choice — and that the invisible also shapes the impact of a work. Today, as a producer, I continue weaving worlds between what is dreamed and what is delivered: with beauty, integrity, and care.